Untitled – Self Portrait

Though sculpture and installation lie at the core of my practice I continue to expand my visual world through different media such as works on paper, photography, ceramic or “word-play” in form of work titles or word constructions. The histories of found objects and materials form the basis of my sculptural investigations. As a collector and curator of “traces”, the visceral and associative evidence of the previous lives of things, I am interested in how particular material combinations and modes of display can alter our relationship to the “data” presented. This includes experimenting with opposing characteristics, setting them in direct confrontation and playing with materials’ symbolisms. My interest throughout is to push on the surreal as well as femininefeminist aspects of my work and to play with and between the subconsciousintuitive and the conscious-rationale side of “things”.